| |
| |
Click the serial number on the left to view the details of the item. |
| # |
Author | Title | Accn# | Year | Item Type | Claims |
| 11 |
Roederer, Juan G |
The Physics and Psychophysics of Music |
I06682 |
2009 |
eBook |
|
| 12 |
Rossing, Thomas D |
The Science of String Instruments |
I05672 |
2010 |
eBook |
|
| 13 |
Beauchamp, James |
Analysis, Synthesis, and Perception of Musical Sounds |
I05484 |
2007 |
eBook |
|
| 14 |
Roederer, Juan G |
Introduction to the Physics and Psychophysics of Music |
I04461 |
1975 |
eBook |
|
| 15 |
Fletcher, Neville H |
The Physics of Musical Instruments |
I00206 |
1998 |
eBook |
|
| 16 |
Tom McLeish |
Poetry and music of science: Comparing Creativity in Science and Art |
OB1482 |
2019 |
eBook |
|
| 17 |
David M. Koenig |
Spectral analysis of musical sounds with emphasis on the piano |
OB1084 |
|
eBook |
|
| 18 |
James Jeans. |
Science and Music |
|
2009 |
Book |
|
| 19 |
SNEDDEN, ROBERT |
Smart Science: Sound and Light |
E01683 |
1999 |
Book |
|
| 20 |
Varsha Joshi |
Vaadhyanmadhil vidnyan (Marathi) |
E01366 |
2006 |
Book |
|
|
|
11.
  |
 |
| Title | The Physics and Psychophysics of Music : An Introduction |
| Author(s) | Roederer, Juan G |
| Publication | New York, NY, Springer New York, 2009. |
| Description | XIV, 228 p. 125 illus : online resource |
| Abstract Note | This book, a classic in its field, deals with the physical systems and physiological processes that intervene in music. It analyzes what objective, physical properties of sound are associated with what subjective psychological sensations of music, and it describes how these sound patterns are actually generated in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. Using the precise language of science, but without complicated mathematics, the author weaves a close mesh of the physics, psychophysics and neurobiology relevant to music. A prior knowledge of physics, mathematics, neurobiology or psychology is not required to understand most of the book; it is, however, assumed that the reader is familiar with music - in particular, with musical notation, musical scales and intervals, and some of the basics of musical instruments. This new edition presents substantially updated coverage of psychoacoustics, including: ??? New results from tomographic imaging of brain function that confirm some speculations in previous editions ??? New research on consciousness and emotions ??? The possibility of musics in extraterrestrial civilizations |
| ISBN,Price | 9780387094748 |
| Keyword(s) | 1. ACOUSTICS
2. Biological and Medical Physics, Biophysics
3. BIOLOGICAL PHYSICS
4. BIOPHYSICS
5. EBOOK
6. EBOOK - SPRINGER
7. MUSIC
8. NEUROBIOLOGY
|
| Item Type | eBook |
Multi-Media Links
Please Click here for eBook
Circulation Data
| Accession# | |
Call# | Status | Issued To | Return Due On | Physical Location |
| I06682 |
|
|
On Shelf |
|
|
|
|
12.
 |
|
| Title | The Science of String Instruments |
| Author(s) | Rossing, Thomas D |
| Publication | New York, NY, Springer New York, 2010. |
| Description | VIII, 470 p. 202 illus., 56 illus. in color : online resource |
| Abstract Note | Many performing musicians, as well as instrument builders, are coming to realize the importance of understanding the science of musical instruments. This book explains how string instruments produce sound. It presents basic ideas in simple language, and it also translates some more sophisticated ideas in non-technical language. It should be of interest to performers, researchers, and instrument makers alike |
| ISBN,Price | 9781441971104 |
| Keyword(s) | 1. Acoustical engineering
2. ACOUSTICS
3. DYNAMICAL SYSTEMS
4. DYNAMICS
5. EBOOK
6. EBOOK - SPRINGER
7. Engineering Acoustics
8. MUSIC
9. VIBRATION
10. Vibration, Dynamical Systems, Control
|
| Item Type | eBook |
Multi-Media Links
Please Click here for eBook
Circulation Data
| Accession# | |
Call# | Status | Issued To | Return Due On | Physical Location |
| I05672 |
|
|
On Shelf |
|
|
|
|
|
13.
|
|
| Title | Analysis, Synthesis, and Perception of Musical Sounds : The Sound of Music |
| Author(s) | Beauchamp, James |
| Publication | New York, NY, Springer New York, 2007. |
| Description | XXIV, 328 p. 153 illus : online resource |
| Abstract Note | Analysis, Synthesis, and Perception of Musical Sounds contains a detailed treatment of basic methods for analysis and synthesis of musical sounds, including the phase vocoder method, the McAulay-Quatieri frequency-tracking method, the constant-Q transform, and methods for pitch tracking with several examples shown. Various aspects of musical sound spectra such as spectral envelope, spectral centroid, spectral flux, and spectral irregularity are defined and discussed. One chapter is devoted to the control and synthesis of spectral envelopes. Two advanced methods of analysis/synthesis are given: "Sines Plus Transients Plus Noise" and "Spectrotemporal Reassignment" are covered. Methods for timbre morphing are given. The last two chapters discuss the perception of musical sounds based on discrimination and multidimensional scaling timbre models |
| ISBN,Price | 9780387325767 |
| Keyword(s) | 1. ACOUSTICS
2. APPLICATION SOFTWARE
3. Computer Appl. in Arts and Humanities
4. EBOOK
5. EBOOK - SPRINGER
6. IMAGE PROCESSING
7. MUSIC
8. SIGNAL PROCESSING
9. Signal, Image and Speech Processing
10. Speech processing systems
|
| Item Type | eBook |
Multi-Media Links
Please Click here for eBook
Circulation Data
| Accession# | |
Call# | Status | Issued To | Return Due On | Physical Location |
| I05484 |
|
|
On Shelf |
|
|
|
|
|
15.
|
|
| Title | The Physics of Musical Instruments |
| Author(s) | Fletcher, Neville H;Rossing, Thomas D |
| Publication | New York, NY, Springer New York, 1998. |
| Description | XX, 756 p : online resource |
| Abstract Note | When we wrote the first edition of this book, we directed our presenta?? tion to the reader with a compelling interest in musical instruments who has "a reasonable grasp of physics and who is not frightened by a little mathematics." We are delighted to find how many such people there are. The opportunity afforded by the preparation of this second edition has allowed us to bring our discussion up to date by including those new insights that have arisen from the work of many dedicated researchers over the past decade. We have also taken the opportunity to revise our presentation of some aspects of the subject to make it more general and, we hope, more immediately accessible. We have, of course, corrected any errors that have come to our attention, and we express our thanks to those friends who pointed out such defects in the early printings of the first edition. We hope that this book will continue to serve as a guide, both to those undertaking research in the field and to those who simply have a deep interest in the subject. June 1991 N.H.F and T.D.R |
| ISBN,Price | 9780387216034 |
| Keyword(s) | 1. ACOUSTICS
2. EBOOK
3. EBOOK - SPRINGER
4. MUSIC
|
| Item Type | eBook |
Multi-Media Links
Please Click here for eBook
Circulation Data
| Accession# | |
Call# | Status | Issued To | Return Due On | Physical Location |
| I00206 |
|
|
On Shelf |
|
|
|
|
|
16.
|
|
| Title | Poetry and music of science: Comparing Creativity in Science and Art |
| Author(s) | Tom McLeish |
| Publication | Oxford University Press 2019. |
| Abstract Note | ‘I could not see any place in science for my creativity or imagination’, was the explanation, of a bright school leaver to the author, of why she had abandoned all study of science. Yet as any scientist knows, the imagination is essential to the immense task of re-creating a shared model of nature from the scale of the cosmos, through biological complexity, to the smallest subatomic structures. Encounters like that one inspired this book, which takes a journey through the creative process in the arts as well as sciences. Visiting great creative people of the past, it also draws on personal accounts of scientists, artists, mathematicians, writers, and musicians today to explore the commonalities and differences in creation. Tom McLeish finds that the ‘Two Cultures’ division between the arts and the sciences is not after all, the best classification of creative processes, for all creation calls on the power of the imagination within the constraints of form. Instead, the three modes of visual, textual, and abstract imagination have woven the stories of the arts and sciences together, but using different tools. As well as panoramic assessments of creativity, calling on ideas from the ancient world, medieval thought, and twentieth-century philosophy and theology, The Poetry and Music of Science illustrates its emerging story by specific close-up explorations of musical (Schumann), literary (James, Woolf, Goethe) mathematical (Wiles), and scientific (Humboldt, Einstein) creation. The book concludes by asking how creativity contributes to what it means to be human. |
| ISBN,Price | Rs 0.00 |
| Keyword(s) | 1. CREATIVITY
2. CULTURE
3. EBOOK
4. EBOOK - OXFORD UNIVERSITY PRESS
5. IMAGINATION
6. MUSIC
|
| Item Type | eBook |
Multi-Media Links
Please Click here for eBook
Circulation Data
| Accession# | |
Call# | Status | Issued To | Return Due On | Physical Location |
| OB1482 |
|
|
On Shelf |
|
|
|
| |